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Reconstruction, Re-enactment, Re-reporting in exhibition

Slovenian Galerija Škuc is showing “RE:akt! Reconstruction, Re- enactment, Re-reporting”, an exhibition of works exploring the themes of performance, e-enactement and (photographic) documentation curated by the Italian art critic and curator Domenico Quaranta:

“During recent years the term re-enactment and the practices it refers to have enjoyed increasing success in the artistic context. On one hand, the success of re-enactment appears to be connected to a parallel, vigorous return to performance art, both as a genre practiced by the new generations, and as an artistic practice with its own historicization. On the other hand the term re-enactment accompanies two phenomena that at least at first glance have very little in common: re-staging artistic performances of the past, and revisiting, in performance form, “real” events – be they linked to history or current affairs, past or present. “

The works included in the exhibiton include:

Ich Lubbe Berlin! (2005, SilentCell Network), a take on the 1933 burning of the Reichstag building in Berlin, which explores the contemporary meaning of symbols such as the Reichstag itself, and of concepts such as “communism” and “terrorism”;

-to Das KAPITAL (2006, Janez Janša), a performance which re-stages the 1968 occupation of Czechoslovakia by Warsaw Pact forces with the languages of popular street artists;

-from C’était un rendez-vous (déja vu) (Janez Janša in collaboration with Quentin Drouet), a project that plays with the paradigmatic history of a well known artwork, the film C’était un rendez-vous by Claude Lelouch, from “cinema verité” to “media fiction”;

VD as VB (2007), a series of actions in which Vaginal Davis, the “grande dame” of the queer underground in Los Angeles, dialogues with Vanessa Beecroft’s performances.

Mount Triglav on Mount Triglav (2007), the three artists Janez Janša, Janez Janša and Janez Janša re-stage a well known performance of the OHO group from the late Sixties, recently appropriated by the IRWIN group for their Like to Like Series (2004), performing it on the Mount Triglav itself, and then translating it into a monumental golden sculpture;

Slovene National Theatre (2007), Janez Janša translates an infamous fact of recent racism against Gypsies – known in Slovenia as “the Ambrus case” – into a piece of theatre, re-invoicing it as it was featured by the mass media.

Synthetic Performances (2007), Eva and Franco Mattes aka 0100101110101101.ORG reenact on the virtual platform of Second Life a series of historical performances that are all but virtual, raising issues such as body, violence, sex and pain, thus exploring the meaning of these very issues in a virtual world. In SS-XXX |

Frau Helga (2007), Janez Janša (in collaboration with Dejan Dragosavac Ruta) again adds details and proofs of evidence to an “urban legend” recently circulated on the Net and mainstream media, concerning the presumed creation of a cyber-sex doll by the Nazis.

Performance and reenactment are far from being the only strategies adopted in “RE:akt!”, which also involves strategies such as documentation, remix, re-invoicement, reconstruction and remediation (such as in the project The Day São Paulo Stopped 2009 by Brazilian artist Lucas Bambozzi),

The exhibition is accompanied by the book RE:akt! Reconstruction, Re-enactment, Re-reporting featuring the co- editors Janez Janša, artist and director of Aksioma and the italian theoretician Antonio Caronia. The book was published on March 2009 by FPeditions and includes contributions by Rod Dickinson, Jennifer Allen, Jan Verwoert, Antonio Caronia and Domenico Quaranta.

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Filed under: performance, re-enactement

Bicentenary of the Napoleonic Invasions-exhibition

Great news! the proposal for the exhibition has been accepted and we can send up to 5 photos.

The theme is the bicentenary of the Napoleonic Invasions and this is what I proposed: “We would be interested to do a re-enactement of the battle scenes from a contemporary urban/youth culture perspective. “We can  print the photos size A0 here in the  uni if you have space to accommodate, or smaller if needed ”

Ana Efe, the exhibition curator, sent images of the exhibition space (our space is the one with no tiles):

I’ve also found out the flights london -porto return are cheap ,  from £30 ( see screenshot) so those of you that would like to attend the opening party (on the 9th of may, a saturday) may want to check it out at the ryanair website. also, find about youth hostel here.

initial invitation sent out by ana efe:

Bicentenary of the Napoleonic invasions

Hello, I am part of the Organization of two group exhibitions of Contemporary Art about the Bicentenary of the Napoleonic invasions Quarter of Serra do Pilar in Vila Nova de Gaia.

The inauguration is on May 9 and will stay on for two weeks. One of the exhibitions has no theme, you can submit work already exhibited elsewhere, the other has a theme referring to the subject of Napoleonic invasions. There will be a performation on the opening night – May 9 – in which a group of artists will paint canvases live (painting or drawing on screen), which will remain in the Military collection.

Projects will be accepted for Painting, Drawing, Photography and Sculpture / Installation. I ask you to confirm your  interest in participating until Friday 20th February and send a CV or bio, links to your work (website, blog, etc.),  by  email: anaefe2-at-gmail.com.

Filed under: calls & opps, re-enactement

re-enactement strategies and photography

re-enactement strategies in new media art, presentation friday 20 feb (club 04)

http://www.jogtheweb.com/play/XqaP8E7ZLtix

Filed under: re-enactement

blog for Photographic Index, BA (Hons) in Digital Photography at the London South Bank University.

Key words: youth (sub) cultures, archives, performance, art, photography

youth cultures

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